painted Ausfahrt der Ostindiensegler in c. 1630-1640
Related Paintings of Hendrik Cornelisz. Vroom :. | Day seven of the battle with the Armada, 7 August 1588. | Ships trading in the East. | A Dutch Ship and Fishing Boat in a Fresh Breeze | Delft as seen from the west | The Amsterdam fourmaster De Hollandse Tuyn and other ships on their return from Brazil under command of Paulus van Caerden. | Related Artists:
Alexei Korzukhin(1835-1894) was Russian painter. A Korzukhin 000.JPG
Korzukhin was born in Yekaterinburg on March 23, 1835. In 1858 he began his studies in the St. Petersburg in the Imperial Academy of Arts. In 1860, Korzukhin won his first award for the painting his The Drunken Father.
In 1864, he help found Petersburg Artel of Artists - the "Revolt of Fourteen". Korzukhin has received a rank of the artist of the First Degree for his painting Commemoration on a Rural Cemetery (1865). For The Return of the Father from Fair, he received a rank of the academician. In 1870, he became a founding member of the art group 'The Wanderers.
In 1891 he painted The Lord's Supper for a cathedral in Riga. Korzukhin is perhaps most famous for his many portraits, each of which is characterized to have a subtle psychological depth. For this reason they are generally accepted as masterpieces of Russian portrait painting.
Alexei Korzukhin died in St. Petersburg on October 30, 1894.
Armand Pallierepainted Pedro II of Brazil, aged 4 in 1830
Georges de Feure1868-1928
French designer and painter. Son of a Dutch architect and a Belgian mother, he started out as an actor, costumier and then interior decorator in Paris. In 1894 at the Galerie des Artistes Modernes he exhibited watercolours and paintings of a moderate Symbolist style, typically depicting women in a manner reminiscent of Aubrey Beardsley work. Capturing the essence of the feminine spirit became his trademark. With Eugene Gaillard and Edouard Colonna he was selected by Siegfried Bing, founder of the Galeries de l Art Nouveau, to design rooms for his Pavilion Bing at the Exposition Universelle, Paris (1900). De Feure carpets, glassware and furniture designs for the boudoir and toilette were based on the theme of woman, emphasizing delicate lines and elegant sensuality. He later left Bing gallery and, as an independent designer, created vide-poche furniture, which contained hidden marquetry compartments. This furniture suggested notions of secrecy and coquetry, themes that de Feure pursued throughout his career.
